Kampala 2022 Film Training

Dilstories has held numerous film trainings around Uganda since 2017. Our trainees have won awards, and gained employment in the film and media sector, for we focus on practical lessons and our mentors are experienced professionals. We are a busy production company, and so we always have opportunities for our trainees to work as paid interns. If they perform well, then they get employed whenever a gig comes up. 

We have got a small grant to run this traning in Kampala, and so we can only take a small number of participants, for a period of two months. Unfortunately, this training is not tailored for absolute beginners, and so you must have taken steps toward a career in film. Before you apply, please read the requirements carefully, and familiarise yourself with our film traning course outline. Watch our short film: What Happened in Room 13 

Directing

We believe film directing is at heart storytelling, and so we require applicants to be strong script writers. We will not consider applications for directing that are not accompanied by screenplay samples.

Cinematography

Applicants are expected to already be familiar with operations of a DSLR Camera, and/or are good photographers. We will not be taking you through the basic operations of a camera. We will use a Blackmagic Pocket 4K Camera with prime lenses. 

Film editing

Applicants are expected to have advanced computing skills, and ability to learn software very fast. Familiarity with any video editing software will be an added advantage. Our primary software will be Davinci Resolve.

Sound recordists

Applicants should demonstrate an interest in recording and producing audio. We will use Zoom F8n for the lessons.

Course outline

The training will happen in three main phases, spread out over a two month period from October 20th until December 31st 2022. 

Phase 1: Quick Starting Guide

This is the foundation training, and will take a total of twelve (12) days.

Days 1 – 3: Anylysing and Preparing Screenplays for Shooting

This will involve script analysis techniques for all the trainees. It is especially suited for directors who will learn how to prepare actors for the roles. This stage is also where we learn about film production, budgets, schedules, locations, casting, and also marketing films.

Participants are expected to be familiar with the screenplay structure, format, and basic screenwriting. 

Resources: laptops, KIT Scenarist software

Days 4 – 6: Sound recording and audio production

In this stage, each participant will produce a short radio play. Participants will learn how to record sound using professional equipment (and your phone!), and to edit this sound using open-source audio editors. It is important for even those interested in other categories to participate in each category, for filmmaking is an eco-system and you perform best if you are knowledgeable in what happens outside your area of interest.

Resources: Tascam DR-60D MKII, Zoom F8n, Zoom F6, Rode NTG-2, Seinhheiser, Laptops

Days 7 – 9: Cinematography

Here participants learn film language, and how to use the camera to tell a story. Directors will learn how to use shots effectively, how to stage dialogues, blocking scenes, and other techniques necessary to make a great film. Emphasis will be on visual storytelling and participants will be required to make a short film with as little dialogue as possible.

Resources: DSLRs Canon T3i, BlackMagic Pocket 4K with Prime Lenses, smart phones

Days 10 – 12: Film editing

How exactly do you put together a series of clips to make a great film? Aah, did you know that films are ultimately made (or destroyed!) in the editing room? We shall learn both the creative side of editing (how to edit actor’s performances, how to re-write the story in editing to fix broken stuff, how to put two clips together to make a good film) and the technical stuff, editing audio, coloring the film, rendering…. 

Resources: Laptops, Kdenlive (open-source), Davinci Resolve 17 

Phase 2: Diving into the Deep End

Days 13 – 15: Boot camp

Each category will split into its own little camp, and focus on mastering their tools and refining their techniques. While directors will start working with actors, learning rehearsing techniques and blocking scenes, cinematographers will be chilling with their babys while sound recordists will be figuring out sound, and editors will be buried in pixels.

Days 16 – 18: Short Film Shoot

Okay. You’ve learned a thing or two, and now it’s time to put all that into practice. This isn’t a drill anymore. You shoot a short film. Each participant will get to direct a short film, and each will have to play a role other than what they applied for; shoot, record audio, edit. At the end of it all, everyone will be fairly knowledgeable in film production.

We will have sessions on marketing and content production in this section.

Phase 3: Production of a Web Series

Days 19 – 27: Boot camp

Participants will be part of the crew of a six-episode web series. At the end of it, each participant will have an episode to their name: directed by, cinematographer, editor, sound recordist, every participant will have a chance to work on a professional product and have their name on it. 

Film training, a woman learns to use a dslr camera, Canon m50, in Kabale district

A few things to note about this film training

For Phase 1 and Phase 2, trainees will cater for their own transport. In Phase 3, Dilstories will cater for transport costs.

Dilstories will cater for meals during the training.

Trainees are expected to contribute 100,000 UGX toward the course.

Trainees are expected to be available full time to attend all the days of the film training.

Trainees will own all copyright(s) of any original works that they produce during the training, and works they write or produce must not be in violation of any existing copyright(s) of any individual or organization.

Participants will grant Dilstories, and all her partners, permission to use photographs, video recordings, and audio recordings bearing the images of the participants, and the biographies of the participants, for publicity and for fundraising purposes.

Why you should train with us

After the training, depending on how you perform, you will be eligible for mentorship for up to one year. This will include access to our equipment and studio for further learning purposes.

We are a very busy production company, and as we put together Uganda’s first film studio, we are always looking for crew. There will be lots of opportunities for paid internships, or even employment, in the near future. We always look at those we have trained when an opening arises.  

Kabale 2022 Film Training

we are currently open to applications for the next phase of film training in Kabale.

 

Click here to download application form for Kabale via Google Drive

How to Apply for Kabale training

For your application to be considered, submit the following documents to the address below, before 10th December 2021

  • A filled application form

  • A letter expressing why you are interested in the course

  • A sample of your work, if available, on DVD or as online link

  • A script or story idea for a short film

 

Submit Your Applications to our offices located at:

Town View Hotel

Makanga, Kabale, Uganda

Telephones: 

Moreen:          0774 505559

Godline:         0755 855362 | 0784 782259

Email: mobilefilmschool@dilstories.com

Why you need this film making course

For now, the trainings are free, as in participants do not pay a tuition fee. There is only a registration fee, of 100,000/=, which is a contribution to help cater for some of the overhead costs, like feeding. We cater for meals during specified training workshops.

 

This is a practical training. Participants will have hands-on learning on all tools of film making, and the course units include:

1) Scriptwriting
2) Film directing 
3) Film production 
4) Cinematography and photography 
5) Video editing 
6) Audio recording and production. 

 

The training uses modern trends in filmmaking technology to usher you into the industry. We use a combination of smart phones and DSLR cameras, as well as mirrorless cameras, to teach cinematography and photography. We use open source software and free film editing software like Kdenlive and HitFilm and to teach video editing, and audacity for audio production. For audio recording, participants learn on the Tascam audio recorders and mixers, with Rode NTG-2 microphones.

 

At the end of the course, participants get a certificate. Above that, participants will have produced a complete short film that they can use as a show-reel, and which they can enter into film festivals to kick start their careers. 

Film training, a woman learns to use a dslr camera, Canon m50, in Kabale district

Who is this film training designed for?

While our primary focus is on film making, this course is suitable for all kinds of media practitioners, as we emphasize practicals. TV and Radio journalists, PRO and Communications Officers in corporations or NGOs, event videographers and photographers, are among those who will find it a very helpful course. 

Terms and Conditions

  • The Deadline for submitting all requested materials is 16th March 2020. Successful applicants will be notified one week after the deadline.

  • The workshop runs from 10th January 2022 and continues for ten months. Participants must be available full time to attend all sessions. There will be three phases of the training:

    • Phase 1: 15 Days, 10th January 2022 – 31st January 2022. Practical Introduction to Film making, where participants learn the basic skills.

    • Phase 2: 15 Days, 3 days per week. February – April 2022. Intermediate Training, where participants build on what they have learned from the first phase, and start making short films as practice.

    • Phase 3: 6 Months. Advanced Training. Participants will be guided on a monthly basis to consolidate their learning and skills to become full-fledged media practitioners and filmmakers.

  • This is a non-residential workshop to be held in Kabale town. Participants will cater for their own transport and accommodation costs.

  • Upon selection, participants will pay a registration fee of 100,000/= (one hundred thousand, Ugandan shillings).

  • Participants will own all copyright(s) of their works, and works they write or produce must not be in violation of any existing copyright(s) of any individual or organization.

  • Participants will grant Dilstories, GEOM Films, Stitching DOEN, and all their partners, permission to use photographs, video recordings, and audio recordings bearing the images of the participants for publicity and for fundraising purposes